The Criterion Collection
The legendary auteur returns to the Criterion Closet, where he selects new editions of favorite films like Down by Law and Wanda, talks about Kurosawa’s genius for recreating weather on-screen, and shouts out his former assistant director Claire Denis.
The acclaimed writer, director, and producer of About Dry Grasses talks about how seeing Ingmar Bergman’s The Silence changed his perception of cinema, praises the timeless and deceptively simple qualities of Stranger Than Paradise, and shares how Abbas Kiarostami gave...
The comedian talks about Andy Griffith’s electric performance in A Face in the Crowd, the depiction of childhood loneliness in Me and You and Everyone We Know, and favorite films such as Bringing Up Baby and Menace II Society.
The legendary actor reminiscences about her collaborations with Rainer Werner Fassbinder, recalls a memorable lunch she had with John Cassavetes, and talks about her connection to films by Ingmar Bergman and Mike Leigh.
The acclaimed actor, writer, and director praises Jackie Chan as one of the great creators of all time, talks about his love for “uncomfortable” films like Benny’s Video and Wages of Fear, and shares how becoming a father deepened his...
The award-winning writer, director, producer, and critic shouts out a Marlon Riggs retrospective he programmed in Brazil, recalls watching Albert Brooks’s Lost in America on VHS in the eighties, and shares how Agnès Varda became an “imaginary friend” to him...
The writer and director of The Two Faces of a Bamiléké Woman and Mambar Pierrette talks about being inspired by Ousmane Sembène and shares how Abbas Kiarostami’s films freed her to blur the boundaries between documentary and fiction.
The award-winning actor, best known for Todd Haynes’s May December, champions the twisted pleasure of Memories of Murder, selects favorites featuring his costar Julianne Moore, and talks about the subtle beauty of films like Drive My Car and After Life.
The award-winning writer and director of Tótem shares her love for Aki Kaurismäki’s “strange, funny filmmaking spirit,” dedicates her selection of Barbra Streisand’s The Prince of Tides to her mom, and talks about Werner Herzog as a “warrior” in Burden...
The philosopher names Trouble in Paradise “Ernst Lubitsch’s ultimate masterpiece,” praises Peter Weir’s early films, and calls the final scene of City Lights “the most sublime ending.”