The Criterion Collection
The Daily
Jun 27, 2019 — Early reviews of the Hereditary director’s second feature may be mixed, but everyone agrees that it’s quite a trip.
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
The Daily
Jun 21, 2019 — Can the movies survive? Can rotten people be great artists? Are we all doomed?
The Daily
Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...
The Daily
Jun 14, 2019 — On the late Peter Whitehead, Jordan Peele’s Us, drag culture, European refugees, and images of incarceration
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
The Daily
Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.
Jun 11, 2019 — In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.