The Criterion Collection
Essays
Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.
Features
Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.
The Daily
Apr 26, 2024 — The director of Human Resources (1999), Time Out (2001), and The Class (2008) has died at sixty-three.
The Daily
Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.
Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.
The Daily
Apr 19, 2024 — Revivals of work by Frank Borzage, Ken Loach, and David Fincher are among this week’s highlights.
The Daily
Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.
The Daily
Apr 17, 2024 — Park Chan-wook and Don McKellar’s adaptation of Viet Thanh Nguyen’s novel stars Hoa Xuande and Robert Downey Jr.
Apr 16, 2024 — Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.
The Daily
Apr 15, 2024 — Eleven first and second features are slated to premiere, seven of them in competition.