And Then

May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...

Jan 24, 2020 — In 2017, writer-director Paul Schrader was enjoying one of the peaks of his storied career with the release of First Reformed, a deeply unnerving drama that grapples with his perennial themes of sin, guilt, and faith. During the production of...

Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

Sep 24, 2019 — Bill Forsyth is Scotland’s most famous filmmaker, and Local Hero (1983) is his most famous film—for many, the true subject of Local Hero’s title is the Glasgow-born writer-director himself. The enduring affection and adulation for Local Hero stem from the...

Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.

Jun 13, 2019 — Over the course of their ten films together, the fleet-footed Fred Astaire and Ginger Rogers took many memorable spins. But their dancing in Swing Time, the sublime 1936 musical that marked their sixth pairing, is a cut above. “I think...

Dec 18, 2018 — Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.

Nov 5, 2018 — With the gradual rollout of his two-part semi-musical, Wang is seeing his strongest reviews yet.

Jul 12, 2018 — French master René Clair, who achieved comedy magic at the dawn of film sound, takes the spotlight in a program next Wednesday at the Miami Beach Cinematheque.

May 31, 2018 — Back in 1977, when One Sings, the Other Doesn’t premiered at the New York Film Festival, Molly Haskell wrote that Agnès Varda’s radical feminist musical had done “for the spirit of sorority what the films of Renoir and Truffaut have done...