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All for Love

Aug 15, 2023 Wayne Wang is perhaps best known as a cinematic chameleon. Working both inside and outside of the Hollywood ecosystem, he has consistently demonstrated a restless curiosity about a wide range of cultures and filmic traditions. In addition to directing two...

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Aug 7, 2023 In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...

Jul 28, 2023 This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Japan Cuts 2023

The Daily

Jul 26, 2023 Anime, family drama, Roman Porno: New York’s Japan Society presents a wide-ranging showcase of recent Japanese cinema.

Jul 19, 2023 Next month, we’re celebrating the fiftieth anniversary of the birth of hip-hop and featuring collections of films by Kay Francis, Roger Corman, and Lou Ye.

Jun 28, 2023 The weeklong series presents work by Krzysztof Kieślowski, Claire Denis, Hou Hsiao-hsien, Yvonne Rainer, and more.

Jun 6, 2023 The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.

May 31, 2023 It’s not every year that so many critics are pleased with the juries’ choices.

May 30, 2023 Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.

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