Time

Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.

Feb 8, 2019 — He became a star in Britain’s “angry young men” era, but some of his best work would come decades later.

Feb 8, 2019 — Norman Jewison and Ray Charles, Jules Feiffer and Alain Renais, and Jia Zhangke and Apple.

Feb 7, 2019 — Repertory Picks On Saturday evening, as part of the series A Tribute to Nicolas Roeg, the late, great director’s haunting 1973 masterpiece Don’t Look Now will show at the Brattle in Cambridge, Massachusetts, in 35 mm. (The film will be...

Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Feb 4, 2019 — Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Feb 1, 2019 — Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.

Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.