The Criterion Collection
Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...
Essays
Aug 2, 2004 — This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.
May 9, 1994 — The importance of Two English Girls lies in its sheer vitality. The film is an extraordinary cinematic conjuring trick in which Truffaut draws the viewer both physically and visually into his own personal pleasures. He does this on a multitude...
The legendary actor and director stopped by for a brief visit to the Criterion Closet, where he shared some of his Italian-cinema favorites and talked about his experience working with Agnès Varda.
The actor returns to the Criterion Closet, where he selects a few movies to watch with his kids, talks about his magical experience viewing Hobson’s Choice, and picks up a new edition of a film by his favorite director, Abbas...
The drag performer, author, and comedian praises Andrei Tarkovsky’s tableaus, shares an emotional experience watching All of Us Strangers, and reflects on how Pina Bausch revolutionized dance theater.
The writer-director talks about how Federico Fellini and John Waters gave him the passion and confidence to become a filmmaker, shares his poignant experience watching Claudine as a young man, and selects favorites such as Pickup on South Street, Do...
The acclaimed actor chatted with us about his fondest movie memories, including his experience of discovering art-house cinema in Catholic school.
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.