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Feb 7, 2019 It’s an inauspicious beginning for festival director Dieter Kosslick’s farewell edition, but there’s much to look forward to.

Feb 6, 2019 On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Feb 5, 2019 The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Feb 4, 2019 All four of this year’s top prizewinners have been directed or codirected by women.

Feb 4, 2019 Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Feb 1, 2019 Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.

Feb 1, 2019 A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Jan 31, 2019 Repertory Picks Tomorrow, two of Jackie Chan’s most furiously entertaining blockbusters will swing their way back into theaters, as Police Story (1985) and Police Story 2 (1988) begin a run at Brooklyn’s Alamo Drafthouse in new 4K restorations, courtesy of...

Jan 31, 2019 The actor’s immediately relatable face left a lasting impression in nearly 200 films and television shows.

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