The Criterion Collection
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
Features
Aug 8, 2018 — The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...
Jul 24, 2018 — A feast of sumptuous color and cinematic imagination, Powell and Pressburger’s postwar masterpiece is also a powerful reckoning with recent history.
Jul 20, 2018 — American audiences weren’t ready for Barbara Loden’s Wanda when it premiered in 1970. A stark portrait of a working-class woman (played with raw conviction by Loden herself) who breaks free of a miserable marriage, only to find herself on the...
Jul 17, 2018 — Without doubt, Steven Soderbergh’s sex, lies, and videotape struck a nerve when it was released in 1989. Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U.S. Film Festival (soon to be renamed the...
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
Jun 19, 2018 — It keeps happening. At the time of this writing, students of Marjory Stoneman Douglas High School in Parkland, Florida, are mourning the deaths of fourteen of their classmates and three faculty members, all of whom a nineteen-year-old is accused of...
Short Takes
Jun 8, 2018 — On a rainy Saturday in May that called to mind the foggy Pacific Northwest atmospheres of Twin Peaks, a crowd gathered at the music venue Brooklyn Steel for a journey through the world of David Lynch. Celebrating its third annual...
May 23, 2018 — About halfway through Cristian Mungiu’s Graduation (2016), Dr. Romeo Aldea (Adrian Titieni) finds himself in a patch of woods in the middle of the night, crying. It’s a surprisingly vulnerable moment for a protagonist who is usually all business. We’re...
Feb 22, 2018 — Critic, filmmaker, and festival programmer Tony Rayns explains how Kon Ichikawa intermingles modernist and classical styles in his masterpiece An Actor’s Revenge.