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Nov 27, 2008 Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.

Dec 6, 2007 It’s been one of those weeks. First we learned we’d made a mastering error on our Mala Noche edition. Then the first run of the new collectors’ set Ingmar Bergman: Four Masterworks shipped with the wrong disc—the Essential Art House:...

Hopscotch

Essays

Aug 19, 2002 Ronald Neame’s dramedy has the distinction of being the only “feel-good” realistic spy film ever made, walking a fine line between topicality and escapism.

Billy Liar

Essays

Jul 9, 2001 John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.

Sep 6, 1999 The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...

Sep 24, 1992 It was in 1947 that Vladimir Nabokov began writing what he described as “a short novel about a man who liked little girls.” Completed in 1954, the manuscript was rejected as pornographic by at least four New York publishers. Nabokov...

May 31, 1990 Isabelle Huppert shot from minor actress to full-fledged French star with a mesmerizing performance as, ironically, a young woman who is incapable of escaping anonymity. In Swiss director Claude Goretta’s elegant, beautifully observed tragedy/character study, Huppert is “Pomme,” a lovely,...

Dec 18, 1989 When Tootsie opened in December, 1982, the ad copy read: “In the next 72 hours this desperate, unemployed actor will secretly audition for the female lead of a soap opera.”  That was the plot line to the movie even when...

Jul 11, 1988 Cinema has given us any number of tales of the criminal underworld, and explorations of the mindsets of murderers—yet there’s been nothing quite like Shohei Imamura’s searing work.

Jan 14, 2008 As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.

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