Tragic Love

Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Dec 1, 2017 — New York. Gothi(c), a series running throughout December at the Metrograph, “traces the cinematic evolution from the Gothic (represented by such films as Bride of Frankenstein and Rebecca, both showing Sunday, and Jack Clayton’s The Innocents, based on a Henry...

Nov 29, 2017 — The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...

Nov 29, 2017 — The National Board of Review, established in 1909 and now boasting over 100 members, has named Steven Spielberg’s The Post as the best film of 2017. The Post won’t open until December 22 and reviews are embargoed until this coming...

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Oct 14, 2017 — Woody Allen’s Wonder Wheel is “a passionate comedic drama that unfolds some of the tones of Allen’s youth,” writes the New Yorker’s Richard Brody. “It’s set in the early nineteen-fifties, in Coney Island, and Allen lends the drama a structure...

Oct 12, 2017 — Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...

Oct 11, 2017 — The shower scene in Psycho remains one of the most iconic scenes in film history. Alexandre O. Philippe, director of the new documentary 78/52,explains why it touched a nerve with audiences.

Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...