The Criterion Collection
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...
Features
Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...
Jun 11, 2019 — In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.
The Daily
Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.
The Daily
May 10, 2018 — The director of Ida returns with the story of an intense love affair.
On the Channel
Feb 12, 2018 — Mexican filmmaker Guillermo del Toro shares heartfelt appreciations for eleven of his favorite films in the collection.
The Daily
Jun 15, 2017 — New York. “Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars”—Alberto Sordi—“and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963,...
May 17, 2017 — With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...
Jun 21, 2012 — The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...
Jun 6, 2011 — One Scene I lived in Zurich before joining Stanley Kubrick on his Napoleon project in 1969. Unfortunately, this film was never made, but I stayed with Stanley for another thirty years. It was in Zurich, in an art-house cinema, that...