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The London Story () also writer

Feb 22, 2018 Luis Buñuel was born on this day, February 22, in 1900. “By 1961, Buñuel was born again, so to speak,” writes Jeremy Carr, having sketched the career from Un chien andalou (1929) and L'âge d'or (1930) through the years in...

Dec 22, 2017 “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Oct 6, 2017 Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Aug 29, 2017 We’re “in dire need of revolutionary narratives,” writes Dan Hassler-Forest. And he grants that a few Hollywood blockbusters have made a stab at it, specifically calling out The Hunger Games, Rogue One, and Mad Max: Fury Road. “But Hollywood’s most...

Jun 6, 2017 Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...

May 19, 2017 Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

Noir by Gaslight

Features

Oct 4, 2023 Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

May 27, 2020 In John Cassavetes’s Husbands, the director, Ben Gazzara, and Peter Falk play Gus, Harry, and Archie, three middle-aged, middle-class suburbanites who come together at the funeral of their close mutual friend Stuart, and, united in grief, commence drinking together. And...

Dec 14, 2016 Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

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