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The Best in Hell

Dec 9, 2015 With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.

Jan 7, 2018 This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Apr 21, 2023 Names in the news this week: Catherine Deneuve, John Akomfrah, Nan Goldin, György Fehér, Leiji Matsumoto, and Hayao Miyazaki.

Dec 11, 2017 Over the weekend, the European Film Awards, the International Documentary Association’s IDA Awards, and the British Independent Film Awards were presented, and now, of course, we have the Golden Globe nominations. A good handful of critics’ organizations announced their picks...

DOC NYC 2017

The Daily

Nov 9, 2017 “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...

Nov 25, 2015 Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.

Nov 30, 1991 Starring Jack Nicholson and Candice Bergen, Mike Nichols’s provocative drama is about sex without relationships and eroticism.

Nothing Sacred

The Daily

Apr 23, 2021 This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.

December Books

The Daily

Dec 18, 2018 Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.

Jan 9, 2017 A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

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