The Criterion Collection
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
The Daily
May 16, 2019 — Within a brisk seventy-seven minutes, Dupieux and Jean Dujardin escort us into the mind of a potential psychopath.
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Sep 17, 2018 — Once called “the great directorial genius of Hollywood” by Carole Lombard, Gregory La Cava struck comedy gold with this mix of madcap high jinks, irresistible romance, and social commentary.
Aug 31, 2018 — And a pillar of American film criticism falls.
The Daily
Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
The Daily
Mar 7, 2018 — A Wrinkle in Time, the adaptation of Madeleine L’Engle’s 1962 science fiction classic, “directed by Ava DuVernay from a screenplay by Jennifer Lee and Jeff Stockwell, has been a long time coming,” writes A. O. Scott in the New York...
The Daily
Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...