The Criterion Collection
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
The Daily
Oct 28, 2022 — Iranian cinema, the history of horror, and malevolent conspiracies are on our minds this week.
The Daily
Oct 17, 2022 — Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
The Daily
Sep 23, 2022 — This week: An appreciation of Marilyn Monroe, a conversation with Karim Aïnouz, and a preview of the year’s scariest season.
The Daily
Sep 14, 2022 — Always innovating, Godard was one of the most vital and influential figures in the history of cinema.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
The Daily
Aug 4, 2022 — A quick briefing on the latest news from Venice, New York, Toronto, San Sebastián, and Philadelphia.