Back To Search

Late Spring

Jun 22, 2026 Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Aug 13, 2025 Toronto will premiere Claire Denis’s new film and New York will present Rebecca Miller’s five-part Mr. Scorsese in its entirety.

Jul 29, 2025 Mystery, intrigue, and illicit passion thrive in one of America’s most complex and expansive cities, captured in all of its glory in such crime thrillers as Out of Sight, Miami Vice, and China Moon.

Mar 31, 2025 The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

“Silent” Films

The Daily

Oct 31, 2024 The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”

Sep 16, 2024 Ready or not, the win for Mike Flanagan’s Stephen King adaptation kicks off this year’s awards season.

Jun 12, 2024 This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Jan 29, 2024 Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Nov 2, 2022 The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Current Page
24
of 28

You have no items in your shopping cart