The Criterion Collection
Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
Aug 13, 2025 — Toronto will premiere Claire Denis’s new film and New York will present Rebecca Miller’s five-part Mr. Scorsese in its entirety.
Jul 29, 2025 — Mystery, intrigue, and illicit passion thrive in one of America’s most complex and expansive cities, captured in all of its glory in such crime thrillers as Out of Sight, Miami Vice, and China Moon.
The Daily
Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.
The Daily
Oct 31, 2024 — The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”
The Daily
Sep 16, 2024 — Ready or not, the win for Mike Flanagan’s Stephen King adaptation kicks off this year’s awards season.
On the Channel
Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.