The Criterion Collection
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...
The Daily
Mar 2, 2018 — “This was a singular experience,” writes novelist Walter Mosley, who’s revisited Norman Jewison’s In the Heat of the Night (1967) and turns in a powerful piece in the Hollywood Reporter. On the one hand, the “belief in the North as...
Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
On the Channel
Jun 10, 2019 — The growing presence of unabashed queerness in contemporary culture makes the past seem comparatively drained of it. But it was always there. There’s often a queer history that lies beneath our accepted mainstream hetero narratives. When excavated, these histories can...
The Daily
May 5, 2026 — The nation’s largest silent film festival returns to the newly renovated Castro Theatre.
The Daily
Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.