The Criterion Collection
Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.
Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
The Daily
Jan 25, 2018 — Charlie Kaufman, pictured above at work on his last feature, Anomalisa (2015), with co-director Duke Johnson, “is set to write and direct a film adaptation of Iain Reid’s internationally best selling novel I’m Thinking of Ending Things for Netflix,” announces...
Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.
Essays
Dec 21, 2017 — The result of a tumultuous production, Orson Welles’s eccentric take on Othello infuses the play with a convulsive rhythm and disorienting sense of abstraction.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.
Oct 11, 2017 — The shower scene in Psycho remains one of the most iconic scenes in film history. Alexandre O. Philippe, director of the new documentary 78/52,explains why it touched a nerve with audiences.