The Criterion Collection
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Features
Jul 31, 2013 — The story of the author’s long correspondence with the silent film icon.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
The Daily
Sep 5, 2024 — Homegrown cinema makes a strong showing this year with new films from Sofia Bohdanowicz, Kazik Radwanski, and David Cronenberg.
May 21, 2020 — Deep Dives “Right then, get dressed!” my mother sang out once a year when I was a child. “We’re going down the Lane,” and I was at the front door with my coat on before she was. The Lane was...
The Daily
Mar 12, 2018 — When the SXSW Film Festival presented the world premiere of Steven Spielberg’s Ready Player One last night, “technical difficulties KO’ed the sound for the second time in a row, bringing the dizzying, VFX-fueled video game adventure to a grinding halt...
The Daily
Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.