The Criterion Collection
Feb 24, 2021 — He never really pushes that cart, does he? Despite the film’s title, Ahmad (Ahmad Razvi), the mournfully persistent protagonist of Ramin Bahrani’s 2005 debut feature, Man Push Cart, is almost always seen pulling his cart through the nighttime streets of...
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...
Oct 31, 2006 — The obvious question is: Why are we doing this? And the only answer is that it just seems like the right thing to do. The Criterion Collection is at an awkward age. By Variety and Hollywood Reporter standards, we’re not...
Essays
Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.
The Daily
May 14, 2021 — Look who’s back: Alain Delon and Romy Schneider, Charlie Chaplin, Dee Rees, and . . . Cop Rock?
The Daily
Apr 21, 2026 — From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.
The Daily
Oct 17, 2023 — She left the movies twice but returned to deliver memorable performances in The Hustler, Carrie, and Twin Peaks.
The Daily
Jul 28, 2023 — This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.