The Criterion Collection
Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...
Feb 28, 2020 — Bong Joon-ho picks twenty directors to watch. Also in the spotlight this week are Jennie Livingston, Jerome Hiler, Dušan Makavejev, and Ritwik Ghatak.
Feb 26, 2020 — Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...
The Daily
Feb 21, 2020 — Reflections from Bong Joon-ho’s interpreter and a report from the set of Apichatpong Weerasethakul’s Memoria open this week’s wide-ranging round.
Essays
Feb 11, 2020 — The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...
The Daily
Jan 23, 2020 — The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.
Dec 4, 2019 — Songbook Midway through Andrea Arnold’s Fish Tank (2009), the plot pivots on a song. “You’ve got some weird shit in here,” says Joanne (Kierston Wareing,), riffling through the CDs in her new boyfriend’s car. It’s the morning after a boozy...
Dec 3, 2019 — As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...
The Daily
Oct 25, 2019 — This week we’re reading about Kira Muratova, The Uninvited, and The Wizard of Oz, and we’re listening in on Martin Scorsese and Kevin Jerome Everson.
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.