The Criterion Collection
Jan 14, 2025 — In his only directorial effort for the big screen, Richard Pryor takes the raw stuff of his life and alchemizes it as art, demonstrating the humor and vulnerability that made him a towering figure in American culture.
Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...
The Daily
Aug 20, 2021 — This week we’re appreciating performances from Elliott Gould and Elaine Stritch and delving into the work of Lav Diaz and Kevin Jerome Everson.
Apr 13, 2021 — To fall deeply in love means to take a risk, and no romantic movie is riskier than History Is Made at Night (1937). Producer Walter Wanger came up with the very grand and suggestive title, but he had only two...
The Daily
Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.
Short Takes
Feb 28, 2018 — With the Oscars coming up this weekend, we gathered some highlights from an in-depth conversation with five of this year’s most-lauded directors.
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Essays
Sep 26, 2011 — No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.
Jun 23, 2008 — Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.
Oct 22, 2007 — Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.