The Criterion Collection
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
The Daily
Aug 14, 2025 — MoMI presents a series of films that might be found in the neighborhood of Ari Aster’s fourth feature.
The Daily
Mar 7, 2025 — We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.
The Daily
Feb 25, 2025 — In the run-up to the Oscars, Sean Baker calls on independent filmmakers to band together as a community.
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.
The Daily
Nov 5, 2024 — As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.
The Daily
Oct 31, 2024 — The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”
The Daily
Sep 24, 2024 — Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.