Oct 2, 2025 In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.

Aug 14, 2025 MoMI presents a series of films that might be found in the neighborhood of Ari Aster’s fourth feature.

Mar 7, 2025 We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.

Feb 25, 2025 In the run-up to the Oscars, Sean Baker calls on independent filmmakers to band together as a community.

Dec 11, 2024 In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.

Nov 5, 2024 As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.

“Silent” Films

The Daily

Oct 31, 2024 The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”

Sep 24, 2024 Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.

Telluride 2024

The Daily

Sep 4, 2024 The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.

May 24, 2024 The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

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