The Criterion Collection
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.
The Daily
Jun 6, 2024 — In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.
The Daily
Jun 5, 2024 — Film at Lincoln Center presents the first-ever New York retrospective dedicated to one of cinema’s most beguiling stars.
May 23, 2024 — Celebrating a forty-year career, DCTV presents a twenty-four-film retrospective.
May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.
Essays
Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.
Apr 30, 2024 — John Carpenter is an award-winning writer, director, and composer. Born in Kentucky, he studied film at the University of Southern California before making Dark Star and Assault on Precinct 13. An internationally renowned master of the horror genre, Carpenter spawned...
The Daily
Apr 1, 2024 — The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.
Mar 26, 2024 — In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.
Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).