Escape

Aug 23, 2019 — After more than three decades in front of the camera, Natasha Lyonne understands a thing or two about what makes on-screen charisma. Previously best known for her early-career performances in films like Slums of Beverly Hills and But I’m a Cheerleader, she has in...

Aug 15, 2019 — The Film Lucille Carra’s 1991 film The Inland Sea is a selective adaptation of the classic 1971 travelogue/memoir of the same name by the renowned expert on all things Japanese—and for cinephiles, the man who was most profoundly instrumental in...

Aug 14, 2019 — A week into this year’s edition, a few critical favorites are emerging from the competition.

Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...

Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.

May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.

May 6, 2019 — Greta Garbo, Anita Loos, Ernst Lubitsch, Ben Hecht, and Salka Viertel cross paths in this month’s round.

Apr 23, 2019 — Elia Kazan can be and has been called many things: a cinematic genius, an actor’s director, a womanizer, a government stoolie, an uncompromising artist and three-time Academy Award winner. But whatever your opinion of his personality, his temperament, or his...

Apr 22, 2019 — When Criterion art director Eric Skillman reached out to me with the opportunity to work on Diamonds of the Night, he started with the statement “I couldn’t get your new work out of my head as I watched the film.”...