The Criterion Collection
Jan 11, 2011 — Given the scarcity of information available in the sixties, director Byron Haskin did a remarkable job of representing some of the conditions on our nearest planetary neighbor, nearly a year before the first close-up views of the real Martian surface.
The Daily
Dec 22, 2025 — Kleber Mendonça Filho programs a series of films that have informed his slow-burning thriller.
The Daily
Jan 30, 2025 — The next four days see the spotlights hit Frederick Wiseman, Jerry Schatzberg, Chantal Akerman, and more.
Features
Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...
The Daily
Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...
Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.
Essays
Jan 7, 1997 — Vivre sa vie, made in 1962, was the fourth of Jean-Luc Godard’s films. He had so far turned out a gangster-movie knockoff (Breathless), a dark political picture (Le Petit soldat), and a sort-of-musical comedy (Une femme est une femme). Now...
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Oct 2, 2014 — People struggle to escape their socially dictated roles in Rainer Werner Fassbinder’s moving, Douglas Sirk–inspired melodrama.