Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 5, 2023 While 2023 is sorted, Sight and Sound invites critics and filmmakers to revisit some of their all-time favorites.

Dec 5, 2023 Andrew Haigh’s magic-realist love story has won seven British Independent Film Awards.

Dec 5, 2023 A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

Nov 29, 2023 To watch Matt Wolf’s revelatory documentaries is to see life as a moving collage in which the past and present are woven together. Over the course of nine intensely researched and intricately crafted features and shorts, Wolf has combined his passion for...

Film Fantastique

The Daily

Oct 30, 2023 Halloweenish movies from France will screen every Tuesday in New York through mid-December.

Oct 30, 2023 At a crucial point in the gleefully unhinged and unapologetically nihilistic teen horror movie Ginger Snaps (2000), two death-obsessed teen sisters wasting away in suburban Canada, Brigitte and Ginger, find themselves at their school nurse’s office, in a desperate final...

Oct 19, 2023 Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Oct 11, 2023 The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.

Sep 29, 2023 The newly reconstructed and restored seven-hour version of the 1923 melodrama screens on Saturday and again next week in New York.

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