The Criterion Collection
The Daily
Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...
The Daily
Jun 23, 2017 — Reporting on last year’s edition of Il Cinema Ritrovato for Film Comment, Dan Sullivan called the festival “a rare beast indeed: a one-week, primarily repertory film festival, mind-bogglingly dense with new restorations, legendary prints, discoveries and rediscoveries, canonical works presented...
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
Jul 16, 2008 — The locations for many of Ingmar Bergman’s most dramatically spare films have existed for so long in moviegoers’ minds as stark black-and-white dream states that to walk through them in living, vibrant color is truly transformative. Imagine the harsh, pebbled...
Jun 30, 2008 — The idea of self-fashioning—of deliberately taking the raw materials of one’s body and mind and transforming them into a work of art—has been with us at least since the Renaissance. Yet no one, not even Oscar Wilde, has so rigorously...
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
The Daily
Aug 27, 2025 — The summer’s been terrific for new movie magazines and filmmaker biographies.
Jul 15, 2024 — Caden Mark Gardner and Willow Catelyn Maclay’s new book assesses the history and future of transness in cinema.
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
The Daily
Feb 7, 2020 — This week, we’re looking back on the work of Antonioni, Fellini, Cassavetes, and Mrinal Sen. Plus: Oscar talk!