Can-Can

Mar 24, 2026 — Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.

Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

Mar 20, 2026 — We’re reading up on the work of Jean-Luc Godard and Chantal Akerman—and Liza Minnelli has a new memoir.

Mar 19, 2026 — To mark the fiftieth anniversary of the invention of VHS, the director and the editor of Videoheaven discuss how this game-changing format shaped their lives and imaginations and left a seismic impact on the film industry.

Mar 18, 2026 — The London festival celebrates forty years of showcasing great queer cinema.

Mar 18, 2026 — This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.

Mar 17, 2026 — Film at Lincoln Center presents a series of films leading up to the U.S. release of Miroirs No. 3.

Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

Mar 16, 2026 — Paul Thomas Anderson’s One Battle After Another wins six, and Ryan Coogler’s Sinners wins four.

Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.