The Criterion Collection
Essays
Jul 27, 2009 — We enter Roman Polanski’s harrowing Repulsion as if in the middle of the story, but it’s actually the beginning of the end. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a...
Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.
Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.
Essays
Feb 16, 2009 — Through the story of thunderously, wondrously henpecked men and a determined woman’s romantic zeal, David Lean’s comedy depicts private and social revolution.
Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.
Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...
Nov 19, 2007 — In 2003, on the occasion of the Cinémathèque française’s complete retrospective of Ingmar Bergman’s work, ten filmmakers were invited to present one of his films that had a significant effect on them. Controversial French director Catherine Breillat (Fat Girl) selected...
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Feb 12, 2007 — Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and in truth, I have.
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.