The Criterion Collection
Interviews
Jan 9, 2019 — There’s a certain tall-tale quality to Sandi Tan’s life. When the California-based filmmaker was growing up in Singapore in the 1980s and ’90s, movies were a powerful way of experiencing the world beyond her small native country, a place she...
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Jun 2, 2023 — The late filmmaker had a profound impact on directors such as Scorsese and Lynch; he could also be a handful.
Jun 8, 2018 — Both Italian directors broke from neorealism to head off in entirely different directions.
The Daily
Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.
Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.
Jun 24, 2020 — It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).
Jul 11, 2012 — Performances Of all the stultified suburban folks in The Ice Storm, Ang Lee’s diamond-sharp adaptation of Rick Moody’s novel about two Connecticut families in the early seventies, Sigourney Weaver’s Janey Carver might appear the least in need of attention. Most...
Essays
Aug 31, 2011 — A man and a woman are married in a small town. The wedding procession follows them to a canal barge, of which he is the master. His crew, an old salt and a young boy, await them there. The couple...
Essays
Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King; a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady; a Goshawk for a Yeoman, a Sparrowhawk for a Priest, a Musket...