Almost a Man

Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-­five­-year career as a writer­-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.

Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.

Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.

Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.

Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.

Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.