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NYAFF 2017

The Daily

Jun 30, 2017 Starting today, the Film Society of Lincoln Center and Subway Cinema present the sixteenth edition of New York Asian Film Festival, running through July 13 at the Walter Reade Theater and then from July 14 through 16 at the SVA...

Jun 20, 2017 “Bertrand Tavernier joins a growing list of filmmakers who've made what amounts to an epic video essay with My Journey Through French Cinema, a three-hour-plus leap into notable French filmmaking from roughly 1930 to 1980,” writes Clayton Dillard at Slant....

Jun 20, 2017 With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.

Twin Peaks Returns

The Daily

May 21, 2017 Tonight, Sunday, May 21, 2017, Twin Peaks returns, just as Laura Palmer (may have) predicted it would twenty-five years ago, give or take. Eighteen one-hour episodes, all directed by David Lynch and cowritten with the show’s original co-creator, Mark Frost....

May 17, 2017 “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

Dec 14, 2016 Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Murderers Among Us

On the Channel

Nov 3, 2016 Our first Friday Night Double Feature on the Criterion Channel pairs two chilling serial-killer films: Fritz Lang’s M and Jonathan Demme’s The Silence of the Lambs.

Oct 31, 2016 In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.

Sep 28, 2016 The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.

Mar 3, 2016 By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.

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