The 33D Invader

May 25, 2022 — Park returns to the competition in Cannes with a Hitchcockian murder mystery.

May 23, 2022 — The Romanian director maps varied strains of racism coursing through a tiny Transylvanian town.

May 23, 2022 — A contemporary reimagining of Au hasard Balthazar becomes an unlikely contender for the Palme d’Or.

May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 11, 2022 — Before Qiu’s award-winning feature opens in theaters, the National Museum of Asian Art will present an online retrospective.

May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.

May 6, 2022 — This week: Tarkovsky’s answer to Kubrick, the Otolith Group, Brooklyn filmmakers, German scenes, and Béatrice Dalle.

May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.

May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.