Pi

Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 14, 2018 — In this week’s round: Tarkovsky and Eisenstein, Godard and Varda, and one of the most consequential television programs of all time.

Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”

Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...

Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.

Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Dec 6, 2018 — Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.

Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.

Dec 4, 2018 — Twelve episodic works and seventy-three shorts will premiere in Park City, while Rotterdam shines its spotlight on Parajanov and Godard.