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Sep 26, 2017 This collection of excerpts from interviews with Stan Brakhage illuminates the evolution of his philosophy of film through his career.

Sep 26, 2017 Let’s start today’s round with a few books. Next month sees the release of Movies That Mattered: More Reviews from a Transformative Decade, Dave Kehr’s followup to his 2011 book, When Movies Mattered. Before he became a curator in the...

Sep 26, 2017 The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Sep 25, 2017 New York. From October 12 through 26, the Metrograph will present Philippe Garrel: Part 1, the first half of the most complete retrospective ever to be staged in the U.S. I’m flagging this event early not only because the New...

Sep 25, 2017 Last year, I Am Not Madame Bovary premiered at the Toronto International Film Festival, where it won the Special Presentations award from the International Federation of Film Critics (FIPRESCI) and would go on to win the top award at the...

Sep 25, 2017 Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.

Sep 24, 2017 For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...

Sep 21, 2017 The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 19, 2017 Last year, Dmitry Golotyuk and Antonina Derzhitskaya spoke with Jean-Luc Godard for the Russian publication Séance, and now Craig Keller has translated nine excerpts. The conversation evidently took place in Rolle, the modest town in Switzerland with a population of...

Sep 18, 2017 The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.

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