The Criterion Collection
Essays
Nov 15, 2004 — Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Essays
Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.
Jan 5, 1993 — All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...
The Daily
May 4, 2026 — L’Alliance New York presents a series of films by a director ripe for discovery in the U.S.
Jan 22, 2026 — Ryan Coogler’s genre mashup now leads what has become a genuine race.
Sep 11, 2025 — For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”
Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”
The Daily
May 7, 2025 — An absorbing fifty-three-minute meditation on a massive construction project opens in New York on May 14.
The Daily
Mar 3, 2025 — Sean Baker’s eighth feature wins five top Academy Awards.