The Criterion Collection
Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.
Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...
On the Channel
Mar 20, 2018 — Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.
Nov 6, 2006 — The New York Times ran a really nice piece about the Janus box this morning. It started on the front page of the Arts section and jumped to another half page inside. It featured big pictures from M, L'Avventura, Seven...
Sep 13, 2004 — Fifteen years ago I received a letter from a young film director in Texas, who enclosed a tape of his first film, with the unlikely title It’s Impossible to Learn to Plow by Reading Books. It might as well have...
The actor and producer shares what he’s learned from close collaborators like Steven Soderbergh and Gus Van Sant, talks about the impact of You Can Count on Me, and recalls a favorite moment from Double Indemnity.
The actor celebrates “awe-inspiring” performances by Holly Hunter in Broadcast News and by Cher in Moonstruck, talks about watching The Before Trilogy while filming The White Lotus, and shouts out a favorite Philip Seymour Hoffman moment on-screen.
During a trip to what he calls our “city of movies,” the director of Afire talked about the jazzy qualities of Steven Soderbergh’s films, the inspiration he has taken from Preston Sturges, and an overpoweringly erotic moment in Stromboli.
The Daily
Oct 2, 2025 — The festival presents new films from Gianfranco Rosi, Kahlil Joseph, Laura Poitras and Mark Obenhaus, and Lucrecia Martel.