The Criterion Collection
Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...
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Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...
The Daily
Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.
The Daily
Dec 18, 2020 — From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.
The Daily
Dec 3, 2020 — One of cinema’s preeminent directors is currently at work on two new projects.
Aug 28, 2020 — One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.
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Jan 24, 2020 — All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...
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Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...
The Daily
Dec 17, 2019 — She worked with Rivette, Fassbinder, and Visconti, but of course, any discussion of her illustrious career will always circle back to Godard.