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In girum imus nocte et consumimur igni

Oct 30, 2008 This week, the New York Times compiled its special annual holiday movie preview, and judging by Charles Taylor and Stephanie Zacharek’s enthusiasm for a slew of upcoming DVD releases for November and December, it seems critics are looking forward to...

In the late sixties and early seventies, young, innovative, and politically radical directors took up arms against the propriety of West German society and its failing film industry.

After making his mark in the early thirties with two very different films, this French master closed out the decade with two humanistic studies of French society that routinely turn up on lists of the greatest films ever made.

Once widely misunderstood, this French master of suspense dealt in misanthropic, black-humored tales and is now recognized to be among the greatest directors of the 1950s.

With this vital movement, Italian filmmakers delivered an urgent response to political and economic turmoil in the wake of World War II.

This Swedish master made existential and soul-searching films that constitute one of the richest bodies of work in the history of cinema.

Oct 20, 2008 Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

Oct 16, 2008 While in New York for the premiere of Ashes of Time Redux, Hong Kong auteur Wong Kar-wai and his long-time cinematographer, Christopher Doyle, sat down with Leonard Lopate for the radio host’s daily show. In the course of discussing the...

Cop 223 Gets Lucky

Production Notes

Oct 14, 2008 Okay, quiz time. What does the music video for Justin Timberlake’s “SexyBack” have to do with the Criterion Collection? Give up? Well, it was shot by none other than ace director of photography Christopher Doyle, whose work is being brought...

Oct 6, 2008 Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.

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