The Criterion Collection
Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.
Essays
Feb 24, 2026 — Centered on the emotional unraveling of a failed newsman, this darkly prescient satire envisions the collapse of American society as we knew it through an unsparing critique of corporate media and capital accumulation.
The Daily
Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.
Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.
The Daily
Feb 18, 2026 — One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.
The Daily
Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.
The Daily
Jan 15, 2026 — SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.
The Daily
Jan 14, 2026 — There’s a Visconti retrospective on in Vienna, a restored Comencini in New York, and films by Antonioni, Olmi, and Bertolucci will screen at Harvard.
The Daily
Jan 13, 2026 — The festival lines up its Forum Special and celebrates forty years of the Teddy Award.
The Daily
Jan 9, 2026 — This week: Conversations with Lav Diaz, Mira Nair, and Jean-Pierre and Luc Dardenne.