The Criterion Collection
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
The Daily
Mar 7, 2022 — Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante
Feb 23, 2022 — In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.
Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
Jan 10, 2022 — The writer and director was on top of the world before the going got tough.
The Daily
Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”
The Daily
Sep 3, 2021 — Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.
The Daily
Nov 19, 2020 — This month, we’re sorting through new books featuring—for starters—Jean-Luc Godard, Marguerite Duras, Billy Wilder, Geraldine Chaplin, and Harmony Korine.
Essays
Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...