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The Look

May 19, 2017 “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...

May 17, 2017 “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

Where Were We?

The Daily

May 17, 2017 Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

Mar 3, 2017 Did You See This? In his latest Cinema ’67 Revisited column for Film Comment, Mark Harris looks back at the rapturous critical reception of Ingmar Bergman’s Persona upon its release, calling the film a monument “to a moment at which...

Jan 30, 2017 Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.

Jan 20, 2017 Did You See This? Over at the BFI, John Berra has published a guide for getting to know some of Chinese-language cinema’s most revered filmmakers, including Edward Yang, Hou Hsiao-hsien, and Wong Kar-wai. For its upcoming edition in Hong Kong...

Jul 12, 2016 Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.

Apr 12, 2016 Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

Jun 17, 2015 Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.

May 22, 2015 A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.

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