The Criterion Collection
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May 27, 2022 — After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.
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May 26, 2022 — The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.
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May 25, 2022 — Park returns to the competition in Cannes with a Hitchcockian murder mystery.
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May 23, 2022 — The Romanian director maps varied strains of racism coursing through a tiny Transylvanian town.
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May 23, 2022 — A contemporary reimagining of Au hasard Balthazar becomes an unlikely contender for the Palme d’Or.
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May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
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May 11, 2022 — Before Qiu’s award-winning feature opens in theaters, the National Museum of Asian Art will present an online retrospective.
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May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.
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May 6, 2022 — This week: Tarkovsky’s answer to Kubrick, the Otolith Group, Brooklyn filmmakers, German scenes, and Béatrice Dalle.