The Criterion Collection
Dec 1, 2009 — Running a taut ninety-one minutes, this documentary about the Rolling Stones is a masterpiece of restraint and understatement.
Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...
Essays
Nov 22, 2009 — “The most concrete emblem of every economic cycle is the dump,” writes Naples native and best-selling Italian muckraker Roberto Saviano somewhere near the conclusion of his extraordinary 2006 “nonfiction novel” Gomorrah, a seethingly cogent and literarily constructed indictment of the...
Essays
Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...
Jun 15, 2009 — With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.
Mar 16, 2009 — This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.
Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.
Essays
Sep 15, 2008 — Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.
Aug 18, 2008 — This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.