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As Testemunhas

Jun 15, 2021 These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.

Jun 15, 2021 The publisher is launching Erika Balsom’s book on James Benning’s 2004 film and preparing a beautiful hardcover supplement to Apichatpong Weerasethakul’s Memoria.

Jun 14, 2021 Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.

Jun 14, 2021 Audiences immediately connected with the character actor who could hint at a deviant intent a behind an amiable smile.

Jun 11, 2021 We’re watching new restorations and assessing the states of Bollywood and the modern musical.

Jun 11, 2021 “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 9, 2021 As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

Jun 9, 2021 Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...

Jun 8, 2021 The selection features new work from Joanna Hogg, Clio Barnard, Jonas Carpignano, Radu Muntean, and Peter Tscherkassky.

Jun 4, 2021 We’re catching up with the new issues of Bookforum, the Brooklyn Rail, and Field Notes and delving into the work of Bill Gunn and Tsai Ming-liang.

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