The Criterion Collection
Jan 16, 2025 — Long considered lost, Fujisawa’s Bye Bye Love screens at Metrograph with two Teshigahara classics.
The Daily
Dec 5, 2023 — Andrew Haigh’s magic-realist love story has won seven British Independent Film Awards.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.
May 22, 2023 — Blending a tragic love story and a terrifying, slow-motion genocide, Killers has premiered out of competition in Cannes.
Dec 29, 2022 — From deeply researched surveys of great filmmakers’ careers to idiosyncratic takes on under-examined corners of cinema history, the writing we published this year offered an array of entry points into the art form we all love.
The Daily
May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.
The Daily
Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.
The Daily
Nov 10, 2021 — Over time, the former child star learned to love his work.
The Daily
Sep 15, 2020 — For some, this nineteenth-century love story “never catches fire,” but for others, it’s “one of the finest films of the year.”
Jan 14, 2020 — Born in Fortaleza, Brazil, Karim Aïnouz is an award-winning film director, screenwriter, and visual artist. His first feature, Madame Satã, premiered in the Un Certain Regard section of the Cannes Film Festival in 2002. He has also directed Love for...