The Criterion Collection
On the Channel
Jul 1, 2018 — In one of Criterion’s earliest commentary tracks, Martin Scorsese and Paul Schrader talk about how they got lucky with their gripping New York City classic.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
The Daily
Jun 21, 2018 — The American philosopher was an early proponent of cinema as a subject worthy of serious study.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
The Daily
Jun 20, 2018 — The anniversary edition features three world premieres and the best of this year’s Sundance.
The Daily
Jun 20, 2018 — A Motion Selfie is a wryly comic silent film made by a crew of one.
Essays
Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...
Jun 13, 2018 — Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...
Jun 12, 2018 — Among the six movies Lino Brocka directed between 1974 and ’76, there were three landmark works that changed the course of his career and that of Philippine cinema: Weighed but Found Wanting (1974), Manila in the Claws of Light (1975),...