The Criterion Collection
The singer-songwriter reminisces about the pleasure of discovering Czechoslovak New Wave films on trips to the video store, shares why Moonstruck ignited her Nicolas Cage fandom, and praises the use of classical music in The Piano Teacher.
The writer and director shares his love for Monterey Pop and the way it acts as a time capsule of its era, talks about how The Worst Person in the World redefined the romantic comedy, and praises Wes Anderson’s use...
Four surrealist dreams, a portrait of Bombay’s street life, a 1980s touchstone, an ecstatic documentary, a windswept enchantment, and one of the fastest and funniest films ever made
The actor selects films that speak to the connection between society and the individual, focusing on works of resistance by such directors as Béla Tarr, Yasujiro Ozu, and Ingmar Bergman.
The actor fondly recalls working with David Lynch on Inland Empire, praises the comedic brilliance of Albert Brooks, and mentions Robert Altman and Spike Lee as directors whose films capture “the essence of culture, community, and truth.
The writer and director selects a pair of feminist films by Dorothy Arzner, shares why Chantal Akerman and David Lynch are her filmmaking idols, and praises how Eric Rohmer’s Six Moral Tales portray complex dynamics between women and men.
The writer, director, and producer praises Black Orpheus and Killer of Sheep as his favorite works of Black cinema, talks about the influence of Risky Business on his film House Party, and admires the depth of Bruce Lee’s performance in...
The actor and director shares her love for the films of Céline Sciamma, talks about the Olympic Games documentary Visions of Eight, and reminisces about watching Berlin Alexanderplatz with her mom.
The writer and director of Magellan praises the use of silence and space in Le samouraï, talks about how Mike Leigh and Kenji Mizoguchi explore the human condition in their films, and selects his good friend Béla Tarr's Werckmeister Harmonies.
The singer-songwriter selects films that have had a deep influence on her music and visual style, shares how seeing Pina changed her as a performer, and talks about the portrayal of girlhood in Valerie and Her Week of Wonders.